For the closing event of the 2023 Winternachten festival, poets and artists seek out the raw material of poems. How do the violence of resource extraction, the destruction of lives and worlds, and the depletion of Earth become audible and palpable in language? What are poems made of: can they, too, plunder and harm?

De grondstof van het gedicht (The raw material of poems) is a Dutch-language event with familiar and new voices, unexpected performances, dance, music and images.

Anyone who opens a children’s book about a farm does not see hyper-modern, destructive industry, but lovely scenes. This obfuscation of reality, according to British zoologist, author and activist George Monbiot, is due to persistent images about our dealings with animals and land, borrowed from poetry. “One of the greatest threats to life on Earth is poetry,” he wrote provocatively.

Yet the plundering of Earth has indeed made its way into modern poetry. In the poem Sinaasappel, bitter je schil (Orange, bitter your peel) by Surinamese poet Michaël Slory, the minerals themselves bear witness to that history:

‘Op Afobaka wil ik zijn
als de arbeiders staken,
de morgen zich boort
in de papaya,
het bauxiet woedend zingt
over zoveel misbruik,
zoveel leugens
zoveel misleiding.’

(“On Afobaka I want to be
when the workers strike,
the morning drills itself
into the papaya,
the bauxite sings furiously
about so much abuse,
so many lies
so much deception.”)

Photo credit: Serge Ligtenberg